曾海文 | T’ang Haywen

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生于福建厦门的一个富人家庭,10岁时举家前往越南西贡的唐人街堤岸区。1948年,被父亲送去法国学医的曾海文,决定从事艺术创作。同期师从林风眠的赵无极、朱德群等人,已经在当时的艺术中心巴黎定居,而曾海文的艺术求道之旅才刚刚启程。凭着年少祖父的书法教导,失去父亲经济支持的曾海文,游走于欧洲的各大博物馆与画廊,不断从西方艺术大师的作品中汲取养分,逐渐形成了个人独特的创作风格。曾海文的道,便在于此,他追求捕捉赋予大自然生命的相生相克的能量。他的“双联画”便是其“绘画是对能量的体现”这一信念的证明。

Known for his fusion of the Chinese spiritual aesthetic with Western abstract expressionism, artist T’ang Haywen regarded ink painting as a method of free expression. Born in 1927 in Xiamen, China, he was instilled with the spiritual tenets of Taoism from a young age by his grandfather. “One originates from Dao(the divine law), after one comes two, after two comes three, after three comes all things…let everything begin uninitiated and grow unpossessed”. T’ang’s distinct personality and unique view on life are formed under the influence of Taoism. Similar in appearance but different in essence to Balthus and Chevicheff, T’ang expressed his inner-self through an innovative approach opening up new possibilities for modern Chinese ink painting.Believing in the idea “you only live once”, T’ang lived in the way of Dao and stayed true to himself to embrace the world around him.

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