1965年出生于中国安徽，1988年毕业于上海戏剧学院舞台美术系， 现居上海，职业画家。

90年代薛松工作室经历了一场意外的火灾，所谓福祸相倚，过往收藏的一切材料被焚毁的同时，火具有的双重性-即毁灭和再生-也给薛松带来了艺术创作上的启示。起初是利用烧毁的画册等进行拼贴创作，后来薛松又主动地收集图像素材进行焚烧。他的取材范围极为广泛，从西方文艺复兴绘画到现代绘画，从东方传统山水画到当代都市建筑图景。这些材料经过火的洗礼，原本所承载的意义被消解，通过拼贴再造得以重构。薛松通过他的拼贴山水得以与跨越时空的古人对话。

In the early 90s Xue’s studio was burnt down in an accidental fire. Rather than a moment of desperation Xue viewed this as an enlightenment for his artistic creation. He collected the burned remains of his earlier paintings and collaged them onto a single canvas. After the remnant pieces from the fire has been used up, he started burning new materials to use. The fire therefore had a dual nature: both destruction and rebirth. After the ablution by fire, the original meaning of the material was dissolved. The collaged fragments of history formed a background for Xue’s landscapes allowing a dialogue across time and space.

 

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