1978年生，2001年毕业于鲁迅美术学院摄影系，学士，2004年毕业于鲁迅美术学院艺术摄影专业，硕士，现为上海理工大学教师。

在《自然》系列中，王略有意利用摄影的真实性，用4x5黑白胶片记录下人工造作下呈现出的“自然模样”，那种“第一眼真实”，让我仿佛觉的它们就在此处生息着，动物间的自由与孤独，亲性与杀戮，生命的循环往复自在其中，似乎自然本就是这样，然而真实感过后，场景中的非自然因素又开始不断提醒着我的大脑，把我重新带回到理性的航道中。这种空间的换置与错位感，带来的不仅是视觉上的非常态体验，也让我重新考量真实与虚假对于人类自身的意义。对生命真相的探索从来都是人类的兴趣所在，人类破解生物基因，培养新生物种，甚至拷贝自己，都已不足为奇，人类在地球上无所不能，成为万物的主宰，但人类是否可以主宰真相，主宰自己的感官，让自己生活在某种谎言之中？我们是否只能在自己垒造好的高墙内，才会放松的与“自然”对话，坦然的接受来自“自我编造”的精彩呢？

In Nature series, Lue Wang utilizes the realness of photographs to record a kind of so- called natural look which is actually artificial by 4 x5 black and white films on purpose. The realness at first sight makes me feel that as if they are living here with animal’s freedom, loneliness, intimacy and slaughter as well. It looks like the real nature with beings circulating inside. While after the first sight, the non-naturalistic elements keep reminding me of the truth and take me back to a rather rational way. The displacement and misplacement of spaces provide me not only unusual visual experience but also a new perspective of the significance of reality and illusion to human beings. Human beings themselves, however, have never stopped exploring the truth of life. Their activities such as deciphering gene codes, cultivating new life species and even coping themselves are not at all surprising now. It seems that human beings are omnipotent and become the controller of everything on the earth. But is it the truth? Whether human beings can really control the truth and their sense but let themselves living in lies or not? And is it a paradox that only when we stay in high walls which built by ourselves we can be relaxed to talk with “nature” and accept “self fabricating” wonders without embarrassment?

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